That's My Life "Winds Of Change" ACT ONE Scene A FADE IN: INT. THE
APARTMENT - DAY. (LISA PRESENT) LISA STOPS AND CHECKS HERSELF OUT
IN THE MIRROR. THEN GOES TO EXIT NOTICING SHE DOESN'T HAVE HER
KEYS. SHE PANICS AND FLUTTERS AROUND SEARCHING. LISA (TO HERSELF)
Oh where are they? Come on! Come on! (STOPS AND THINKS TO HERSELF)
I took them... I put them... And... tada! There they are! (FROM
BENEATH STACK OF MAIL) CUT TO CAR EXT. PARKING LOT - DAY. (LISA)
LISA HOPS INTO HER CAR AND TURNS THE KEY AS THE CAR ENGINE DIES.
LISA (TO THE CAR) Oh no, no! You can't do this to me now. (ANOTHER
ATTEMPT FAILS) Aagh! (IN SUBMISSION) Anthony! (WITH DELIGHT) CUT TO
KITCHEN INT. THE APARTMENT - DAY. (LISA) LISA (ON THE PHONE) Yes
officer... CUT TO CAR INT. HIGHWAY - CAR - DAY. (ANTHONY) ANTHONY
SPEEDS DOWN THE HIGHWAY SINGING TO AC\DC. ANTHONY Shook me all
night... WHEN HE NOTICES A POLICE CARS LIGHTS FLASHING BEHIND HIM,
HE SEES THE SPEED LIMIT SIGN OF 55 AND NOTICES HIS SPEEDOMETER AT
72 BEFORE PULLING OVER. ANTHONY (cont.) Great. Just great! AFTER
STOPPING ANTHONY REACHES INTO THE GLOVE DEPARTMENT PULLS OUT HIS
CAR PAPERS, LICENSE AND A SQUIRT BOTTLE. ANTHONY (IN REARVIEW WITH
WET EYES) I'm so sorry. So sorry! My mother. My poor mother's in
the hospital, and I was just trying to... THE OFFICER INTERRUPTS
HIM WITH HIS GUN QUICKLY POINTED AT ANTHONY FROM OUTSIDE THE
DRIVERS WINDOW. OFFICER (YELLING) Get out of the vehicle with your
hands on your head now! ANTHONY (SHOCKED) I'm sorry, my mother...
OFFICER (Yelling) Now! ANTHONY (BEGINNING TO REALLY CRY) Okay.
(SOFTLY) CUT TO POLICE STATION INT. POLICE STATION - DAY. (ANTHONY,
OFFICER) ANTHONY SITS IN HANDCUFFS WITH OFFICER AT DESK. OFFICER
(WRITING PAPERWORK) So your telling me that, that is your car that
you stole! ANTHONY I didn't steal it! OFFICER (LOOKS UP) Are you
calling me a liar young man? (STERNLY WHILE STARING) ANTHONY What?
No. (OFFICER CONTINUES STARE) No! (NERVOUSLY) OFFICER (SATISFIED)
Okay then. (BACK TO PAPERWORK) ANTHONY When can I get out of here,
and get MY car back? OFFICER When your mother gets back with it.
ANTHONY (SHOCKED) What? FADE OUT Scene B INT. BARON & BARON
INC. - AFTERNOON. (LISA, MR. BANKS) BANKS' SITS BEHIND HIS DESK AS
LISA ENTERS. LISA I'm sorry I am late Mr. Banks, I had some car
troubles. BANKS (RISES AND WALKS AROUND) Have a seat! LISA Thank
you. BANKS I need a good hair dresser. Great! Great hair dresser!
My hair is important. People see it all the time. It represents my
lifestyle and business! LISA Yes sir. LISA Don't worry Mr. Banks if
you hire me to be your personal hair stylist you can guarantee
great hair, with your great face I must say. (GIANT SMILE) BANKS
Okay, but you gotta be good. I gotta have good hair. Can't let all
the suits see me with bad hair. Never mind the secretaries. Stacey
use to cut my hair. Whenever I needed, but now she's gone and I...
-- LISA -- Really oh no, well do you know when you will have made
your decision for your stylist? BANKS Well your all I've
interviewed, but I want three samples so get them to me then I'll
let you know. LISA (SMILING) I can do that Mr. Banks. (SHAKES HANDS
AND TURNS) I'll have them for you in a day or two Mr. Banks. BANKS
Okay. (SMILING IN REFLECTION) Stylist. Huh, I like that word. My
hair, stylist! FADE OUT Scene C INT. JAILHOUSE - AFTERNOON.
(ANTHONY, FRANKLIN) ANTHONY WITH A TERRIFIED LOOK LIES ON THE BED
WRAPPED UP IN FRANKLIN'S GIANT ARM. (ENTERS LISA, GUARD) THE GUARD
OPENS THE CELL DOOR. GUARD James! Your out. ANTHONY (SOFTLY TO
FRANKLIN) My mom's here. (FRANKLIN DOESN'T MOVE) My mother is here!
GUARD Let him go Franklin they'll be someone else soon I'm sure of
it. FRANKLIN'S UNHAPPY FACE IS OVERJOYED AS HE LETS ANTHONY GO.
ANTHONY RUSHES OUT AND SHAKES IT OFF. LISA (SMILING) Hi hunny.
ANTHONY GIVES AN ANGRY LOOK BACK. GUARD Good news son, your mother
is not pressing charges! What a good mother. Wish I had a mom like
her. You, are so lucky. ANTHONY Yeah, lucky! (ANGRY-SARCASTIC TONE)
GAURD (SMILING) You try and stay out of trouble now son! EXT. THE
ROAD - CAR - LATE AFTERNOON. (LISA, ANTHONY) LISA What your not
going to talk to me now? -- ANTHONY JUST LOOKS TO HER LISA (cont.)
-- Fine, be that way. ANTHONY Why did you do that? LISA I needed
the car. ANTHONY Don't you have your own? LISA Technically this is
my car. It's under my name Mr. Mann. ANTHONY I still pay for it!
LISA Sometimes. Plus I had a very important meeting with Mr. Banks
to go to and my car wouldn't start. ANTHONY So you have me
arrested!? Isn't that more work then calling them and telling them
you'd be late? LISA (TO HERSELF) Mr. Banks. Doesn't that just sound
like money? ANTHONY SIGHS AND LOOKS OUT THE WINDOW LISA You were
probably just speeding around anyway. ANTHONY Actually! I just got
a summer job, thank you very much. LISA Oh yeah, where? ANTHONY
Davis's. Stocking shelves. LISA Well your getting there I guess.
Some day you'll grow up to be a man! ANTHONY Someday. LISA As long
as your not like your father! He was lazy and selfish and always
made things harder for himself. (LOOKS AT ANTHONY) Oh my god you
are your father! I tried so hard to raise you right... -- ANTHONY
-- Here we go again. -- LISA -- No this is not funny now mister.
You need to something with your life. Your not going to be like
him. ANTHONY I think he's fine. LISA See that's what I mean.
ANTHONY (ESTRANGED) Okay!? I'm going to college what more do you
want right now? LISA Yes, but what are you going for? Huh? ANTHONY
I don't know yet! LISA See. ANTHONY (ANOTHER ESTRANGED LOOK) No!
LISA I know you never do, do you? By the way I need to cut you and
your friends hair and take pictures for Mr. Banks. ANTHONY No! LISA
No you can't say no. ANTHONY No! Not after the last time. LISA Oh
shush, I'm better now. -- ANTHONY STARES UNBELIEVINGLY LISA (cont.)
-- What? I am. So we'll do that later. (A SATISFIED SMILE) ANTHONY
LOOKS WITH EYES OF WORRY FADE OUT SCENE D INT. THE APARTMENT -
EVENING. (LISA, ANTHONY ENTER) LISA Oh yeah you got some mail today
from the college. LISA HANDS IT TO HIM. HE READS IT WITH AN
INCREASING WORRIED LOOK. LISA (cont.) What does it say? ANTHONY It
says that I owe twelve thousand dollars to the college. LISA What?
Let me see that. ANTHONY Apparently some of the loans didn't go
through. (SITS DEFEATED) Great! Just what I needed. LISA No,
there's got to be a mistake. Tomorrow we'll go down and talk to
them about it. Okay? Anthony? ANTHONY Huh? Yeah, sure. FADE OUT
Scene E INT. COLLEGE - FINANCIAL AID OFFICE - DAY. (ANTHONY, LISA,
FINANCE OFFICER) ANTHONY SITS QUIETLY AS LISA SPEAKS WITH THE
FINANCIAL ADVISOR FINANCIAL OFFICER See, his student loan went
through but the parent loan didn't. So he owes this for this past
year and we can talk about further years after this is taken care
of. LISA And your just telling us this now!? FINANCIAL OFFICER I'm
sorry, but there's nothing we can do about it. CUT TO EXT. COLLEGE
GROUNDS - PARKING LOT - DAY. (LISA, ANTHONY WALKING TO THE CAR)
LISA I'm sorry hunny. ANTHONY I can't believe that I spent a year
trying to get there just to leave after one. LISA I know. (HALF
SMILE) Well, hey at least you'll be home with me more now! ANTHONY
(A FAKE SMILE) Yeah, great! FADE OUT Scene F INT. THE APARTMENT -
AFTERNOON. (ANTHONY) ANTHONY WATCHES TELEVISION WHEN KENDAL, CHRIS
AND NATHAN ENTER. ANTHONY Hey. KENDAL (TO ANTHONY) Hey. NATHAN NODS
TO ANTHONY. CHRIS (TO KENDAL) Hey. ANTHONY, KENDAL AND NATHAN
BRIEFLY STARE AT CHRIS. THEN THE THREE SIT. ANTHONY So guess what.
KENDAL What? CHRIS Your name isn't really Anthony! THE OTHER THREE
MOMENTARILY PAUSE AND STARE AGAIN. KENDAL (BACK AT ANTHONY) What?
ANTHONY I lost my loans for the school. CHRIS MAKES FOR THE KITCHEN
AND THE REFRIGERATOR WHILE NATHAN STARES BRIEFLY AT EACH WALL.
KENDAL And you can't get anymore? ANTHONY Apparently not. KENDAL
That sucks. ANTHONY Yeah. KENDAL I told you! CHRIS Yeah he did.
KENDAL (TO CHRIS) I did. CHRIS (TO KENDAL) I know. KENDAL (BACK TO
ANTHONY) Okay then. ANTHONY (TO KENDAL) Anyways... -- KENDAL -- Oh
yeah. I told you not to waste time with school. ANTHONY And what be
more like you guys? CHRIS (MOUTH FULL OF A SANDWICH) Yeah. ANTHONY
Yeah, well it looks like it's this from now on. KENDAL Great! CHRIS
COMES BACK WITH A PLATE FULL OF FOOD. ANTHONY Oh yeah, I got a job
though. KENDAL Where? ANTHONY Davis's. KENDAL The big grocery
store! ANTHONY Yeah why? KENDAL No good! ANTHONY What? CHRIS
(MUNCHING ON CHIPS) Not good! (SLOWLY) ANTHONY (TO CHRIS SLOWLY)
Thank you. (TO KENDAL) Why? KENDAL I dunno. Just my brother worked
there a year ago and I guess there was this lady there that drove
him crazy. ANTHONY She might not be there anymore, plus... -- CHRIS
-- She's there! ANTHONY How do you know? CHRIS Oh I know. ANTHONY
(LEANING AND WHISPERING TO CHRIS) You scare me. -- CHRIS -- Ha ha!
ANTHONY (TO KENDAL) Plus I need the job, especially now. KENDAL
Well good, hopefully you'll like it better then Brian. NATHAN Yeah.
KENDAL AND ANTHONY STARE AT NATHAN MOMENTARILY IN A STATE OF SHOCK.
THEN KENDAL RISES FOLLOWED BY NATHAN. KENDAL So poker night
tonight! ANTHONY Well watch out my mother's on a hair cutting
rampage. CHRIS Free? KENDAL Did she graduate yet? ANTHONY Nope, but
apparently she's found some business richy, rich looking for a
stylist NATHAN Mr. Banks. THE OTHERS STARE AT NATHAN AGAIN. ANTHONY
(TO NATHAN) That's scary too! (TO KENDAL) Anyways, so she went and
applied. KENDAL Ah. ANTHONY And he wants samples of her work so
were the dummies! CHRIS Hey. KENDAL Ah okay. CHRIS PLACES HIS EMPTY
PLATE DOWN AND THE THREE MAKE TO EXIT. KENDAL So well see you
tonight. ANTHONY Okay. GOES BACK TO FLIPPING CHANNELS. Oh cool,
Ninja Turtles! (TOSSES THE REMOTE ASIDE) CUT TO SAME SET INT. THE
APARTMENT - DAY. (ANTHONY) LISA ENTERS WITH BAGS OF GROCERIES AND
WALKS IN ON ANTHONY DANCING AND SINGING TO THE MOVIE. ANTHONY Go
ninja go! Go ninja go! Go nin... (SPOTS HIS MOTHER) LISA -- You
never came from me! ANTHONY Kidnapper! LISA I just picked up a few
things from that new job of yours at Davis's. ANTHONY STARTS
HELPING TO PUT THE FOOD AWAY. ANTHONY Oh yeah!? (AN EXCITED TONE)
LISA Yeah and they have probably one of the meanest ladies I've
ever met working there. ANTHONY Oh yeah? (A DISAPPOINTED TONE) LISA
Yeah first I asked her if she knew where the gravy was, and she
just stared at me like I was something... ANTHONY Stupid? LISA
Yeah. Then she points right behind me and says, there! (IN A WICKED
TONE) And I felt silly and was like oh yeah right there, but she
was still mean. ANTHONY Okay ma. Oh the boys are coming over
tonight to play poker. LISA What if I had plans? ANTHONY You don't!
LISA I could! ANTHONY But you don't. And even if you did it
probably wouldn't involve the table now would it. LISA It could.
(SMILING) ANTHONY STOPS MOMENTARILY IN WONDER AS LISA RETURNS TO
THE FOOD. CUT TO SAME SET Scene G INT. THE APARTMENT - EVENING.
(ANTHONY) KENDAL, CHRIS AND NATHAN ENTER THE APARTMENT. ANTHONY
PLACES THE SNACKS ON THE TABLE. KENDAL Alright here we go. CHRIS We
playing for money this time? ANTHONY How much ya got? THEY STARE AT
EACH OTHER MOMENTARILY. ANTHONY Okay so no money this time. AD
BREAK THE POKER GAME CONTINUES ON IN SILENCE, ANTHONY'S TURN. CHRIS
Who came up with anal retentive? THE OTHERS STARE AT HIM BLANKLY.
CHRIS I mean isn't retentive able to recall or something and anal
is well... So put together your able to recall your ass!? THE
OTHERS PRETEND TO IGNORE. KENDAL If you don't hurry up then were
going to loose Chris! ANTHONY What? CHRIS I'm dying! ANTHONY What!?
KENDAL He is! CHRIS I am! ANTHONY Again!? KENDAL He thinks he has
cancer. CHRIS I do! See? -- AS HE PULLS THE BACK OF HIS SHIRT AWAY
FOR ANTHONY TO SEE. CHRIS (cont.) -- A sistht! ANTHONY You idiot
that's a pimple! CHRIS Nope a sistht! ANTHONY Oh my god! (PLACES
CARDS DOWN) I win, flush! KENDAL Sorry full house! CHRIS Good show!
ANTHONY (TO CHRIS) What do you have? CHRIS I got an ace baby!
NATHAN THROWS DOWN HIS HAND OF FOUR OF A KIND AND TAKES THE CHIPS.
ANTHONY And it's Nathan's! LISA ENTERS WIELDING HAIR CUTTING
UTENSILS. LISA Alright boys who's first? CHRIS Free, right? LISA
Yup, step right up into this here chair. CHRIS SITS WITH A BIG
SMILE AS LISA BEGINS WHILE THE OTHER BOYS MAKE FOR THE LIVING ROOM.
LISA After tonight's masterpieces I'll definitely be Mr. Bank's new
hair dresser! CUT TO SAME SCENE Scene H INT. THE APARTMENT - NIGHT.
(ANTHONY, CHRIS, NATHAN AND KENDAL) THE FOUR BOYS SIT IN THE LIVING
ROOM STARING BLANKLY TELEVISION WITH THE WORST HAIR CUTS. ANTHONY
Can't believe I have to go to work like this! KENDAL Yeah that
sucks. CHRIS It does. NATHAN Yeah. THEY CONTINUE TO STARE BLANKLY
AT THE TELEVISION. CHRIS I can't believe I'm going to die looking
like this! ANTHONY (FRUSTRATED) Your not going to die... -- ANTHONY
ATTACKS THE BACK OF HIS NECK. CHRIS -- What?... Ah... ANTHONY
(POPPING THE PIMPLE) There got it! CHRIS (RISING QUICKLY) Oh my
God! Oh my god! Your not suppose to do that to it! CHRIS RUSHES OUT
OF THE APARTMENT. KENDAL Now you've done it! ANTHONY I know! (YAWNS
AND STRETCHES) Alright, I need to sleep for work tomorrow. KENDAL
Alright. I should go check on him anyway. (RISES TO EXIT) Later.
ANTHONY Okay. See ya later. THE TWO BOYS EXIT AND ANTHONY HEARS A
NOISE FROM LISA'S BEDROOM. SOUND: FAINT CRYING ANTHONY You okay in
there? LISA Now I'll never get that job! I'm a horrible hair
dresser! ANTHONY (LOOKING TO HIS HEAD) It's not that bad... LISA It
is too I heard Christopher even screaming over it! ANTHONY No
that's cause he has cancer, it wasn't you! LISA What? ANTHONY Never
mind. LISA I can't show Mr. Bank's these photo's! ANTHONY (AFTER
THINKING) Hey, he just wants picture's right? Well just take
photo's out of your styling books and put them in the empty frames
we got! LISA (OPENING THE DOOR) You think that will work? ANTHONY
Wanna show him this? (POINTS TO HIS HEAD) LISA No! (LAUGHING)
ANTHONY Okay then. (ANTHONY TURNS AWAY) LISA Wow! ANTHONY What?
LISA The back of your head looks like... a baboon's butt! ANTHONY
Ha, ha. (SARCASTICALLY) Goodnight! (TURNS FOR THE COUCH) LISA
Goodnight... monkey-ass! ANTHONY That's it! HE SPRINTS TO THE DOOR
AS SHE SLAMS IT SHUT ON HIM WHILE LAUGHING. FADE OUT ACT TWO Scene
I FADE IN: INT. BARON & BARON INC. - DAY. (LISA, BANKS) LISA
(NERVOUSLY) Here you go Mr. Banks! (HANDS HIM THE FRAMES) BANKS
Wow, these are -- LISA -- I know what they look like Mr. Banks, but
if... -- BANKS Great! Your hired! LISA Really! Really? (ECSTATIC)
Thank you so much Mr. Banks you wont regret it! BANKS I better not!
LISA You wont I swear! BANKS Good, I need a hair cut for tomorrow's
banquet! LISA That's great, I can do that! BANKS Of course you can!
You'll at my house at 8pm Laurie will give you directions. LISA
(SHAKING HIS HAND) Okay. Thanks again Mr. Banks. (NOT LETTING GO)
BANKS That's what I'm here for... to hire people! And fire people!
LISA'S GIANT SMILE FALLS. BANKS Ha, ha! Gotcha! (THEY LAUGH, HE
STOPS) But I do fire people! CUT TO Scene J INT. DAVIS'S
CONVENIENCE STORE - NIGHT. (KEITH, BYRON, KATHY) ANTHONY ENTERS AND
MEETS KEITH. KEITH That's got to be illegal! (REFERRING TO HIS
HAIR) Your the new boy! ANTHONY Yes sir! KEITH I'm your manager and
this is the night crew! Kathy and Byron. BYRON I'm not as scary as
I look! ANTHONY Okay... KATHY (A DISGUSTING GASP FOR AIR) Eugh.
ANTHONY Okay! (with a smile) KEITH You ready to get started?
ANTHONY Yeah. KEITH Okay, I'm going to have you start here with
Kathy. ANTHONY'S EYES MEETS KATHY'S COLD STARE FADE OUT Scene K
INT. MR. BANK'S HOUSE - NIGHT. (MAID) SOUND: DOORBELL RINGS MR.
BANK'S MAID ANSWERS THE DOOR TO LISA. LISA Hello I am here for Mr.
Bank's hair cut. MAID Oh yes, follow me this way please. LISA
ENTERS. LISA This house is amazing! MAID Oh yes. THEY MEET WITH MR.
BANKS' SEATED IN ONLY A TOWEL IN THE MIDDLE OF THE KITCHEN FLOOR.
MAID (cont.) Here is Mr. Banks! LISA (TONE OF WORRY) Sure is. MR.
BANKS Lisa! I am ready for my new style from my new stylist! (WITH
A GIANT SMILE) LISA Yes, it definitely looks that way. (PAUSES)
PLACES HER BAG OF HAIR ACCESSORIES ON THE COUNTER. LISA (PSYCHING
HERSELF UP) Okay. (AD BREAK) Scene L INT. DAVIS'S CONVENIENCE STORE
- NIGHT. (KATHY, ANTHONY) ANTHONY CONTINUES HIS JOB OF OPENING
BOXES AND PLACING THE OBJECTS ON THE SHELVES. HE FINDS IT HARD TO
FIND THINGS RIGHT AWAY AS HE PAUSES MOMENTARILY IN SEARCH BETWEEN
OBJECTS. KATHY There! (POINTING IN FRONT OF HIM) ANTHONY PLACES THE
OBJECT IN IT'S SPOT. ANTHONY Thanks. (GETS ANOTHER OBJECT) KATHY
There! ANTHONY Thanks. (GETS ANOTHER BOX) KATHY There! ANTHONY (AN
ANGER HIDDEN SMILE) Thanks. (GRABS ANOTHER) KATHY There! ANTHONY
RETREATS. ANTHONY I just need to go to the bathroom real quick.
KATHY JUST STARES AT HIM AS IF NOT UNDERSTANDING. ANTHONY TURNS AND
WALKS AWAY. ANTHONY Woah. FADE TO Scene M INT. MR. BANK'S HOUSE -
NIGHT. (LISA, MR. BANKS) LISA And that should do it! (SHE TURNS HIM
AROUND) Oh god! BANKS Great! Where's the mirror. LISA (SNATCHING
THE MIRROR FIRST) Well, Mr. Bank's I want you to know that I was
going for a new kind of look for you, one more... BANKS Yes, I am
ready to see it now where is the mirror? LISA (RELUCTANTLY) Right
here. BANKS (LOOKS INTO THE MIRROR) Oh my god! LISA Mr. Banks, I
am... BANKS Oh my god! LISA I wanted to make you look... BANKS What
is this? LISA Hipper! BANKS So it is. And I do don't I? LISA Oh yes
sir, very much so! BANKS Hip! LISA So you like it!? BANKS I'm hip!
Yes, of coarse I like it. Now will this be weekly? LISA Whatever
you would like Mr. Banks! BANKS Good. LISA Great! Thanks allot Mr.
Banks I will see you in a week! BANKS Yes, and please Lisa it's
Harvey! LISA What? Oh yes, okay... Harvey. Bye. BANKS Later! LISA
GIGGLES AS SHE WALKS AWAY. HER FACE LOOKS DUMBFOUNDED AS SHE TURNS.
FADE OUT Scene N INT. DAVIS'S CONVENIENCE STORE - NIGHT. (ANTHONY,
KATHY) KEITH ENTERS THE ISLE. ANTHONY'S TRYING TO BOX HIS BODY
BETWEEN THE PRODUCTS AND KATHY. KEITH How we doing here? ANTHONY
Fine, just fine. KATHY JUST STARES AT KEITH. KEITH Alright then,
now your going to hop over to isle nine and help Byron. ANTHONY
Okay! (AS HE QUICKLY EXITS) ANTHONY ENTERS ISLE NINE WHERE BRYON
STANDS WORKING AND TALKING TO HIMSELF. HE STOPS TO THE SIGHT OF
ANTHONY. ANTHONY I was suppose to come help you out here. BYRON
Yeah. (PAUSE) ANTHONY BEGINS WORKING. BYRON You ever in Nam?
ANTHONY No! BYRON (DISAPPOINTED) Oh. ANTHONY I wasn't even born
yet! BYRON I know! I mean like another life or something! ANTHONY
Um... okay. Yeah it's still, no! BYRON (A BLANK STARE) I was in
Nam! Nam was different. ANTHONY What? (SEES HIS STARE) KEITH!
ANTHONY DROPS HIS BOX AND RUSHES OUT TO FIND KEITH. CUT TO SAME
SCENE ANTHONY AND KEITH STAND IN THE SAME ISLE WORKING. KEITH How's
it going over there? ANTHONY Oh, great! I'm just happy to be
working here now! KEITH Yeah those two can be tough to take
sometimes. ANTHONY Yeah tell me about it! KEITH I just did! ANTHONY
(AWKWARDLY AGREEING WITH HIM) Yeah, I guess you did. KEITH Hey, do
you believe in the afterlife? ANTHONY Sometimes I do. KEITH
Sometimes you do! You either do or you don't! ANTHONY Well then I
guess I do! But I think I believe that they are not of any physical
sense. That it is merely a spiritual type of thing like thought or
something. KEITH What about right and wrong? ANTHONY Yeah I believe
in right and wrong. KEITH No, do you know what's right and wrong?
ANTHONY Well, I think that depends on how were raised. KEITH The
government controls it! ANTHONY What? KEITH Yup, they do! How do
you know what's up and what's down? Or even if up is up and down is
down? Huh? ANTHONY I don't know. But... -- KEITH -- Exactly!
ANTHONY -- But it wouldn't really matter anyway! KEITH Yeah it
does! ANTHONY No I don't think it would matter much if down was up
or up was down as long as there's a common knowledge of something
small such as a title for communication value that's all that
matters. KEITH Nope! It matters! What about aliens? ANTHONY What?
Aliens? Can I just work? KEITH The alien brotherhood is out there?
ANTHONY Are you serious? KEITH They're going to comeback to Earth
and find out that we destroyed it and vaporize us all! Your not an
alien are you? ANTHONY What? No! KEITH With the government? ANTHONY
(FRUSTRATED) No! KEITH Okay. (GIVES A WEARY LOOK AROUND) ANTHONY
(LOOKING TO THE CEILING) I'm sorry for all I've done wrong! KEITH
MOVES A PRODUCT BOX OUT OF THE WAY IN A PANIC AND LOOKS BEHIND IT.
ANTHONY WATCHES ON WITH FRIGHTENED EYES. FADE OUT Scene O INT. THE
APARTMENT - MORNING. (LISA) ANTHONY ENTERS EXHAUSTED. ANTHONY Fired
yet? LISA Nope! As a matter of fact he liked it! ANTHONY Is he
bald? LISA No I just did a good job thank you very much! ANTHONY So
he's insane! LISA I can't help it if some people's hair actually
cooperates with me! ANTHONY Oh yeah, my bad! Stupid hair! LISA
Anyway how was your day? You look really tired! ANTHONY In my head!
It was horrible! First of all I didn't know where a thing went. And
every time I went to look for it I would have that lady breathing
down my neck pointing out the spot as if I was LISA Stupid! ANTHONY
Yeah! (MIMICKING KATHY) There! There! Here! There! What do you got?
There! And the other two are just crazy! LISA So you working
tomorrow? ANTHONY Yes! (DEPRESSINGLY) Scene P ROLL CREDITS INT.
DAVIS'S CONVENIENCE STORE - NIGHT (ANTHONY, KATHY) ANTHONY PULLS
OUT AN ITEM TRYING TO BOX HIS BODY BETWEEN THE ITEM AND KATHY.
KATHY What do you got? (he reluctantly shows her) There! (she
points in front of him) ANTHONY PUTS IT AWAY WITH ALMOST TEARS IN
HIS EYES. CUT TO INT. BARON & BARON INC. - DAY. (BANKS) BANK'S
STRUTS HIS STUFF DOWN THE HALLWAY PROUDLY WITH NO TIE AND TOP
BUTTONS UNDONE. EVERYONE IS APPALLED AT HIS HAIR. BANKS Hey! What's
up! (GIVES TWO THUMBS UP) Yo! Hey dudes! Watch out now! END
| Email this Script
| Add to reading list