The Shadow of the Door
In the middle of the night when you think you hear
monsters in your room and they’re coming quite near
When you’re freezing cold and you’re wide awake
then you’re boiling hot, still you shiver and shake
If you see something dark in the middle of the floor
be careful, never tread on the shadow of the door
For the shadow of the door is a monstrous sight
in the darkness of your room in the middle of the night
Should you climb out of your bed on the way to get a drink
you may never get to see what was lurking by the sink
For the shadow of the door may be waiting there for you
like a hole in time or space, an invitation to fall through
Jimmy Johnson was a boy with a very fertile mind
he would sometimes pick his nose, said it helped him to unwind
Like an adult with a cigarette or glass of beer or gin
but he never ate his bogeys, he just saved them in a tin
It was what his father taught him and his father before him
going back for generations, “Save your bogeys in a tin
You don’t know when you might need them
they could save your life one day
So don’t flick or wipe or chew
or throw a single one away.”
So the house was full of bogeys
each room neatly stacked with tins
By the sofa, on the TV
in the kitchen by the bin
And each tin was neatly labelled
with the owner’s age and name
Plus descriptions of the contents
of which no two were the same
And a list of dates and entries
such as ‘crisp and green and bright,
like a tiny little emerald
from the nostril on the right’
Jimmy Johnson used to listen when he couldn’t sleep at night
for a bogey conversation or a little bogey fight
Of course he never heard one, though he thought sometimes he did
as he lay upon his pillow with his ear against the lid
Then one night as he was dozing off, a voice came to his ear
“Jimmy,” said the quiet voice, “Jimmy. Over here.”
He peered into the darkness, but nothing could he see
“Who’s there,” he whispered, curious. The voice replied, “It’s me.”
Jim thought he should investigate, he clambered out of bed
his feet were full of carpet tiles, his heart was full of dread
He slid a foot towards the sound, the awful whispered name
“Jimmy, Jimmy, over here,” the voice called out again
He tried to climb back into bed; his legs would not obey
they pushed him forward even though he ordered them to stay
And all the house was silent now as all but Jimmy slept
and in the darkness of his room, a deeper darkness crept
“How can this be,” he asked himself, “there’s dark and shade and light.
So how can there be something else, a dark more dark than night?”
But as his feet dragged Jimmy on, defying natural law
he realised, too late, it was the Shadow of the Door
He tried to grab, he tried to hold, but nothing met his hand
he watched his left leg vanish, like a pig in sinking sand
He threw his arms out left and right but still his body fell
his eyes spun like two silver coins, thrown in a wishing well
So now his arms and head were all that showed above the black
and as he sank he wondered if he ever would get back
And would his brother miss him, and would his mum and dad
and was this all an awful dream or had he just been bad?
He shook and shaked and shaked and shook
and shook and shaked some more
his fingers lost their clumsy grip and slithered down the floor
He tried to call out to his dad - too late! His mouth had gone
In vain his eyes looked round for help
but searching , found no one
He sank, he slid, he slithered deep, into the gaping hole
his body doing somersaults, his brain a forward roll
Thus Jimmy entered Shadowland, a fearsome place to be
where monsters eat your brains for lunch and save the rest for tea
In Shadowland the shadows crawl
they slip and slime and sneak
The days fly by like minutes
each minute lasts a week
Everything is upside down, or inside out, or worse
there’s only one dimension and most creatures speak in verse
There’s shadow cats and shadow dogs
and shadow swamps, of course
Where shadow Hippopotami
communicate in Morse
There’s shadow sheep and shadow cows
and shadow butchers’ shops
Where unsuspecting shadow pigs
turn into spare-rib chops
There are shadow creepy-crawlies on the shadow rubbish tips
with smelly strands of slobber hanging from their shadow lips
If you should venture for a stroll along the shadow street
mysterious intestines squelch beneath your shadow feet
Cold and slimy wriggly things slide in between your toes
while nauseating gassy smells drift upwards to your nose
Eerie sounds pervade the air, like hoots and howls and wails
no doubt because the only food is tortoise skin and snails
They eat them raw and half alive
with fork and spoon and scoop
While quite the loudest sound of all
is scream of sheepdog soup
As Jimmy Johnson looked around
this strange unpleasant place
he felt a cold hand slide across
and up and down his face
He felt the fingers in his mouth
he bit!..and then he moaned
he realised, too late alas
the fingers were his own
“Where am I now? Why am I here
this isn’t fair,” he cried
“Don’t worry Jim, it’s just a dream,”
a voice behind him lied
“You’ll wake up in a minute Jim
but meanwhile come with me
I’ll show you round, we’ll have some fun
there’s tons of things to see.”
“If that’s the case,” brave Jimmy said, “then why can’t I see you?”
“Because I am your shadow, lad.” This time it spoke the truth
“Now come along, I’ll show you round this magic wonderland
I’ll have you home for breakfast, if you let me hold your hand
“I’ll be your guide, your satellite, your buddy, your best mate,”
but something in it’s tone of voice made Jimmy hesitate
“Well if it’s all the same to you, I’d rather not,” he said
“I’d rather get back to my room and jump back into bed
I’ve been here long enough, I think. It’s time that I went home
my mum and dad will miss me, so I’ll really have to go.”
“You stupid fool,” the shadow laughed
its voice quite cold and clear
“I’ll tell you when to come and go. You’re not in charge round here
You’re in the land of shadows now, where different rules apply
and tears are made of cardboard, lad
so don’t pretend to cry
You’ll thank me later, wait and see, you’ll never be the same
so stop your snivelling, lighten up, we’re going to play a game
We’ll take your ribs out, one by one
and put them in a sack
we’ll smash them with a plank of wood
then try and put them back
Or maybe we’ll play hide and seek
we’ll hide your eyeballs first
and if by chance you find them, well
I’ll think of something worse
Don’t look so scared, it’s just a joke
I thought you’d understand
I’ve got your interests close at heart
so come on, hold my hand.”
Jim chewed upon his fingernails, not knowing what to do
he hadn’t felt this bad when he’d had mumps or chimney flu
And then he saw the shadow’s hand
in fact he saw right through it
But as he reached to take a hold
a voice cried out – “Don’t do it!”
Jim turned around to see who called, so fast he almost tripped
he saw a young girl flying past, her right hand tightly gripped
Her shadow dragged her to the woods that glowered all around
then with one giant effort, she propelled it to the ground
And as they wrestled in the mud she turned her eyes on Jim
“You can’t save me, but save yourself - keep far away from him
He’ll try and trick you, so watch out, he’s evil, mean and clever
If he gets hold, he won’t let go, he’ll keep you here forever.”
Jim’s shadow laughed and leapt about
and tried to drown her words
“Shut up,” he yelled, “that’s quite the daftest thing I ever heard
“That little girl,” it said to Jim, “is not quite what she seems,
She’s a goblin, or a figment of your wildest, darkest dreams
Don’t listen to a word she says, she’ll lead you to disaster
now take my hand, I’ll treat you to a bowl of monkey pasta!”
Again Jim did not take the hand
instead he tried to see
beyond the shadow, to the girl
he thought should be set free
The monkey pasta wasn’t something
that his taste-buds missed
But chimp and chocolate ice cream
would have been hard to resist
“There must be some way out of here
some way to get back home
and I’ll be better with a friend
than if I’m all alone.”
Jim bravely walked towards the woods
not thinking what might lie
in wait for him behind each tree
or watching from the sky
“Your hand! Your hand!” the shadow squealed
“You must hold hands with me!
You’ll get lost or trapped or eaten by
a long toothed hairy beast
“The greasy Haemophibius
is hiding in the woods
He’ll pierce you with his silver snout
and suck out all your blood
Then Gorge, the many-legged one
attracted by your groans
Will scuttle from his dusty hole
to separate your bones
The ant-like Flipper-Flopper Worms
will feast upon your eyes
Then gather up what’s left
for a variety of pies.”
“Look, you can talk all night,” said Jim
“or shout and scream and sing.
I’m not listening – even if I did
it wouldn’t change a thing.”
And so he trod the lonely path
that led into the gloom
he felt the dampness on his skin
the dampness of the tomb
The shadow followed close behind
silenced for a while
though round its wicked shadow mouth
there played a wicked smile
It knew that soon or later
Jimmy’s knees would start to shake
the fear would grip his fevered mind
and then his hand he’d take
The girl was gone Jim soon found out
and shadows leave no tracks
there seemed no sure way forward
yet no point turning back
So as he stood and thought about
the vegetables of fate
He jumped on board the memory bus
and skipped back several dates...
…He was sitting on his grandpa’s knee
listening to him speak
Of all the strange and dreadful things
he’d done that very week
“I drunk an ‘undred pints of beer, then stew - a right big plateful
Then threw up on an ‘ungry dog, what seemed to be quite grateful
I watched that dog lick clean his chops, and then I got a cup
I drunk a dozen uncooked eggs, and then I threw them up
So then I drinks ‘em down again, and twice more after that
I tries it standing on my ‘ead, but still they hit the mat
There’s got to be a way, I thought, to keep these beggers down
so I takes ‘em in a bucket to a man I knows in town
‘Now Bill, you’ve got a problem there,’ says Flapjack-Joe Granelli
‘to transfer eggs from that there pail, to thy great bulging belly.’
‘The problem’s not that way at all,’ I tells him with a shrug
‘as quickly as I slide ‘em down, they’re sliding on the rug.’
‘Ah ha!’ he cries, ‘I see,’ and then he scratched his ancient head
‘I think I’ve got the answer,’ and he disappears to bed
Three days and nights I’m waiting there, occasionally crying
the bucket stank, three eggs hatched out, the rest solidifying
Eventually I hears the tread of footsteps on the stair
I looked, and I was shocked to see him – naked, but for hair
A lot of hair I’m glad to say, it covered him completely
and in his hand a knife and fork, wrapped in a napkin, neatly
‘Okay, young man, it’s time to eat, and now I’ll make a claim:
those eggs, once gone, will not return, or Flapjack’s not my name.’
‘You fool,’ I cry, ‘you’ve kept me here for three long days and nights
until my eggs have turned all hard and pungent to the bite?
I could’ve boiled ‘em days ago, if that had been required
instead of congealed chucky-eggs, with eat-by date expired!’
‘Well listen, Eric,’ Flapjack says, ‘I don’t mean to be funny
but you’ll not keep those eggs devoured, while they’re all soft and runny.’
‘But that’s the point,’ I pointed out. ‘The cure for too much ale
is runny eggs or frogspawn legs, or giblets of a whale
I’ll never come round here again if I need some advice
I’d rather kiss a pig, or fill my underpants with ice.’”
“So listen,” Grandpa said to Jim, the boy still on his knee
“the moral of this story should be plain for all to see
There’s not much to rely on in this world we’re livin’ in
but you won’t go far wrong if you keep bogeys in a tin
Not anybody’s bogeys, mind, don’t pick ‘em off the floor
or scrape them off your best friend’s sleeve or buy them in a store
Just pluck them fresh and gleaming from your snooter every night
select a tin, pop ‘em in, and store away from light
Those bogeys, they won’t let you down, they’ll never criticise
they’ll stick with you through thick and thin, they’ll never tell you lies
They’ll never give you bad advice, like, ‘eat your eggs congealed’
or, ‘wear your trousers inside out’, or, ‘it’s okay to steal’
They’ll never ask you where you’ve been, or why you’re late for tea
or tell you to get up the stairs and get your bedroom cleaned
But when you’re deep in trouble
when you’re weary, feeling small
come the time you feel like crying
on those bogeys you can call
I’m not saying that they’ll save you, but one thing I’ll guarantee
they won’t tell you, ‘We’re too busy’, or, ‘We’re sorry, we’re not free.’
Just give the secret whistle and perform the magic dance
with a turnip on your shoulder and a ferret down your pants
Your bogeys will escape their tins
they’ll rise up and unite
forming one gigantic bogeyman
to join you in your fight.”
End of Part 1
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