The writer assumes that discourses originating in the sensational-entertainment, Science Fiction industry are clouded with enigmatoligcal objects who can speak, act, and live the comic experience with humans as creators and entertainers.
Anthus Arabian assumes that the objects of fiksation (fiction & fixation) are stored as cathexis or embryo reservoirs of psychic energy which are utilized commercially by a group of industrialists who promote massmerism ,(mass&mesmerism) lucratively as needy laissez faire, & this determines their economic functionality as commerce.
As objects of fiksation, see a few examples from Science and Space fiction.
Aren't the objects microscopic as well as macroscopic in embryo design? Aren't their speech sounds (created in laboratories of special effects) infantile and neonatal? Aren't they semblances of uterine ejections, fleshy, textured specimens of neo-carnality? Aren't their heads, limbs, and torso analogical to their status material-lianal. (mater/ial/)?
Aren't they such comic hoaxes that can't regress back any more into the creative spaces of id from which they manifest symptoms of the repressed.