I was a mere three hours from my destination of
State lines are artificial, and western
The land is open and empty; little editing is required to remove modern civilization and return to the old West. Rub out the telephone and electric poles, take away the strands of rusty barbed wire that now divide the open range, glance away from the four-lane between the billboards, and you will see a herd of bison, as many as stars in the night. That curl of smoke in the far distance rises from the cook fires of a tribe of Plains people, following the bison. There on that slight rise, the silhouettes of tough little mustangs.
My flight of fancy crashed abruptly when the enormous Conoco oil pipeline processing complex came into sight. It squats on the plains, long low buildings with multiple stacks belching smoke and steam into that clear sky, complicated networks of catwalks and cooling towers scrawled across the horizon like the scribbling of a madman. If you dared approach, the dim humanoid figures crawling over the catwalks, scrambling up the ladders, would prove to be vile creatures from a netherworld, eyeless and three-fingered, with voices like the crunching of bones. It made me shudder.
Even at speed, the Conoco plant takes too long to pass. But, like all things, it does pass, by and by.
And then.
The
I detected a vague laboring in the Camry, as though she were trying to catch her breath. I learned later, just like the mechanics at Jiffy Lube in Mobile told me, that it takes a car about 300 miles at altitude to make the necessary adjustments. Our machines are more like us now than we are. They adapt and mutate. We seem stuck.
I’m a ridge runner, not a flatlander. I’ve seen hills before, the
A hundred and fifty miles out of
Steadily, the
The sheer side slopes are furred with the soft green of blue spruce and pines, game trails and the washes that carry the rain down the mountains are picked out in white from a recent snow. Boulders the size of city courthouses tumble on the slopes and pour down the hills like pocketfuls of marbles, dwarfed by the distance. The closest tall peaks are frosty white, shading deep lavender to sapphire to a mere misty suggestion, wreathed in clouds.
This mountain range that plants its feet on the earth and lifts its head into the upper reaches of
My destination, Lyons, Colorado, worships at the feet of the Rockies, and as I drew nearer, I discovered there were tears dripping down my face, tears of sheer awe at the magnificence all around me. I marveled at the courage and audacity of the mountain men and early settlers who looked at the
There is a place between heaven and earth called St. Vrain’s Canyon, where some mountain god’s angry child threw an aeon-long tantrum, hurling boulders from the peaks, over-turning table top plateaus. Before that day, the stones were living creatures, and where the god-child wounded them, they bled. Still today you can see the ancient bloodstains, smearing the gaping wounds on the rock walls, russet, chocolate, orange.
In the god-child’s rage, the elements were disrupted, and the winds howled grieving over the mountains, twisting and distorting the trees, blasting the rocks until the softer ones were rounded and smoothed.
When at last the tantrum passed, the god-child was remorseful to see the carnage caused by her fit of pique, and she built a monument to remind herself forever of the terrible tax of anger. With contrite hands she smoothed the hillsides, and the high plateaus are her palm prints. She piled rocks one upon the other in fantastic towers, and she planted trees - burly Ponderosa pines with their red trunks, silvery groves of slender aspens – to hide the scars in the land. The flood of her guilty tears swept down the slopes and through the rocky draws, carving deep into the breast of the mountains.
St. Vrain’s Canyon is the cathedral built by the god-child.



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