A Tortured Mind's Quintessence
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by alice oiseau
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Colder...
The mercury is dropping...
Her heart is fading...
She's scared...
Fear and worry seize her
Paralyzed
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These wings won't seem to fly...
Where are you?
Are you still there?
She's falling...
Falling endlessly into an immortal abyss
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Her hands reach out
She's trembling
She's dying
Can anyone hear her?
A lost voice
Drowning in the masses
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She lingers in the shadows
Her silhouette runs
Her reflection vanishes
Isolation...
Alone in this world...
No one by her side...
Afraid of what will happen next
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Being haunted by the past
Pleasant memories free flow
Transform and shape shift to nightmares
She can't breathe
Walls close in...
Trapped...
She's frozen...
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Veins are diamonds
Blood is ice
Soul is missing
Eyes are hollow
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What's happening to her?
Numb.
She can't feel anything
Can't feel your touch
Can't feel your warmth
Can't feel you...
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Help her...
Don't let her go like this...
She's screaming
But only can she hear it
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Faces disappear from photographs
They lay empty.
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Black and white
There is no color
Flowers wither
There is no life
Ballads drift into nothingness
There is no melody
Stained glass shatters
There is no pain
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A dark figure stands before her
Sinks inside
Tears her apart
Thrusts her against the stone walls
She lays broken...
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Broken like the night
Broken like the doll
Broken like the music box
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A ballerina once full of grace
She used to dance to a lovely song
She could smile and mean it
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Her touch gave death life
Gave darkness light
Gave cold warmth
Gave a devil love...
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But when the music stopped,
So did she.
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...Welcome to my December...
Hey I hope you feel better soon :D writing is a great way to release some pent up emotions.
As you know I typically don't enjoy reading more depressing poems, and that's not because they are depressing. It's really that most of the ones I've read use cliched imagery (I'll point out one you used: immortal abyss :P) and rarely use any subtleties beyond what they are trying to say on the literal page. However, I find this poem hauntingly beautiful because I can really call it a lament and a graceful poem, as opposed to the journalistic and rhetoric style many others use to vent their emotions. Like I said, I felt that this poem was hauntingly beautiful and you've really let your emotions come through to the reader, while the emotion conveyed is cliche, the way it's delivered is unique and heart-stopping and that's what really matters in a poem. Great job.
Time for the bad and the ugly! Don't you love this? No it's not bad nor ugly but it's time for the parts I didn't like and reasons why. This is definitely one of the best poems I've seen in my own stereotyped genre called the "angst genre" (ahaha I hope you aren't offended, I'm not saying you're angsty, I would just place the poem in this genre of mine due to its form and content). However, I am not a fan of this type of poetry for many reasons, some (not many) of which come through here.
One of the things I believe in is that without artificial refinement, the heart does not simply pour out a poem. One needs some sort of manufacturing in order to make what is a fundamental emotion into what others may call a good poem. This is not really evident here since you are a great poet and have a lot of talent already, but some things do show through since you've said yourself that you let your heart basically spill on to paper.
For one, I think a poem should be universal and understood to all of its target audience. However, this poem was not very specific regarding the subject "she", the object "you", and the symbolism of the "dark figure." While it is a common practice that the main character's descriptions are left vague, I don't totally condone this because it is difficult for the reader to put themselves in the narrator's shoes unless they already feel similar to the narrator.
The interpretation on this poem can be fairly vague as well. It can either be that "you" has deserted "she" and now "she" pleads for "your" help, or that "she" has been deserted by someone or the world in general, and is pleading for "you." While the imagery is very beautiful and fitting, and the tone remains consistent and appropriate, the imagery does not remain consistent. It feels to me like a random flutter of pictures passing by, and their precise connections to the content of the poem is not very clear. I think a poem's every word should be chosen with exact care to convey a very concise meaning, and the imagery and words here (almost sounding like simply trying to sound flowery and filling space) do not seem to deliver an exact meaning or purpose to the poem.
You mention memories haunting the main character several times, however they do not seem to explain her present situation.
I really would like to comment you on the numerous and complex metaphors you introduced to the poem as well, it really enhanced its effects. However (ah, you knew this was coming didn't you) the metaphors do not extend beyond the lines they were mentioned in, and their symbolism was not specific, thus the reader is often left confused as to what the metaphors were supposed to mean, and guess at something very generic, like guessing the "dark figure" to mean "fear". This way, the effects of the metaphors and the imagery introduced becomes hazy for the reader and their effects are a little lost on the reader. More astute readers, at the same time, can interpret the "dark figure" to be her past love haunting her in her memory, yet since there is no evidence here to suggest this, a fair bit of guesswork and open interpretation is used. This also disrupts the flow, and makes the poem sound a little "amateur-ish".
In the last part of the poem (finally, eh?) the poem seems to back in time to the memory of her as a dancer (here the reader is confused as to whether she was really a dancer, or the dancing is used to be a metaphor). The music stops suddenly (haha reminds me of my own poem) and she stopped dancing. While here the meaning is understood, there is no sense of closure nor anti-closure and the poem almost feels like stopping in mid-sentence. I feel this way because after the poem begins by introducing what she is going through, it goes back to a memory that seemingly has nothing to do with her present condition. Only in the last two lines is some sort of symbolic reason introduced and there it ends. I do agree that the way it ended really impacted the reader emotionally, but poetically it is not very closural.
There there, my longest comment yet. I really only focused on the bad parts and not the good parts, because I could have said "I really enjoyed the sense of open-ness you left for your reader at the end, and the last two lines really makes the reader think." because it is true. Lol. I hope you read this when you felt better because otherwise you might really not like me (and realize your sugar pills aren't coming). Wow 974 words I'm at my limit! That was a great poem :D keep it up eh!
Posted: Jul 17, 2008
Okay, I'm back and ready to comment. I was a literature major, so forgive me if this comes across as an analysis paper lol.
I found several things fascinating about this poem, Alice. First, the recurring theme of cold. In the first stanza you say “the mercury is dropping.” Initially, I took this to mean an actual drop in physical temperature. This could be interpreted as the drop in temperature that occurs when the human body dies. But later in the poem you mention cold again with regards to emotional numbness. It’s interesting to think about emotional death causing the same temperature drop as physical death. By the way, the image of icy blood flowing through diamond veins is just breathtaking!
Several times throughout the poem you mention angels and wings. (This is a common theme in your poetry ) In this case, the angel has lost her wings and is unable to fly. To me, the loss of flight speaks metaphorically of the angel’s inability to escape the chains that hold her down and trap her on earth. Most likely these are emotional chains. But more literally, this image made me think of other creatures with wings: birds, butterflies, etc. What are they without their wings? A butterfly without beautifully colored wings is certainly not a butterfly anymore. So what is an angel without her wings? Is she even still an angel?
This brings us to an elaboration on the emotional chains that bind the angel down and keep her from flying. You mention isolation several times, and each time it’s paired with something about vanishing into the background or losing significance. Perhaps the angel is afraid of fading away into obscurity, and of the loneliness that comes with anonymity. Perhaps she is afraid of losing herself in the crowd and never being able to regain her essence.
In stanzas 9 and 10 the theme of absence comes into play. To me, when “faces disappear from photographs” truth and meaning fade away. When “ballads drift into nothingness” love begins to vanish. The angel’s loss of such vital things as love and meaning could cause the dark figures of fear and depression to haunt her.
The last 3 stanzas bring the poem full circle and we’re back with the wingless angel. Her innocence and youth are now gone, and she no longer has the ability to give “darkness light” and “cold warmth.” Has she lost the devil’s love? Or has she realized that an angel and a devil just aren’t meant to be? Either way, the loss of love has changed her, and I don’t think she’ll ever be an angel again.
My favorite part of this poem was when you wrote about nightmares. I might be reading waaaay too much into this, but I found it so interesting that you tell us in the intro that you were inspired by nightmares you’ve been having, and then the poem begins with coldness and mercury dropping. For the Romans, Mercury = Hermes, messenger to the underworld and deliverer of dreams. Coincidence? Lol Maybe.
I love the uncertainty expressed by the way some of the lines are questions. It’s as if both the writer and the angel are unsure of where the poem is going to take them. Oh, and in stanza 3 I think “dieing” should be “dying.”
Whew! I hope you don’t mind the essay I just wrote you lol. I suppose this is what I get when I spend a day and a half pondering!! If I'm way off, that's okay because I interpreted the poem the way it spoke to me. If I'm close to home, that's okay too ;)
Stephanee
Posted: Jul 22, 2008